title: Effects of phase changes in low-numbered harmonics on the internal representation of complex sounds.
abstract: A series of experiments investigated the effect of phase changes in low-numbered single harmonics in target sounds that were either synthesized steady-state vowels fo periodic signals having only a single formant. A matching procedure was sued in which subjects selected a sound along a continuum differing in first formant frequency in order to get the best match with the target sound; perceptual effects of the phase manipulations in the target were detected as a change in the matched first formant frequency. Stimuli had to contain at least three harmonics to produce the effect, but id did not require a particular starting phase of the components. A suppression phenomenon is discussed, in which phase changes alter the phase-locking characteristics of auditory fibres tuned to low-numbered harmonics.
authors.forename: J D
authors.initials: JD
authors.lastname: McKeown
authors.forename: C J
authors.initials: CJ
authors.lastname: Darwin
mesh_terms: D000328:Adult; D001288:Attention; D006801:Humans; D008144:Loudness Perception; D010700:Phonetics; D010897:Pitch Discrimination; D011571:Psychoacoustics; D013018:Sound Spectrography; D013067:Speech Perception