Two- versus four-tone masking, revisited.
Canahl [J. Acoust. Soc. Am. 50, 471-474 (1971)] measured thresholds for a 1.0-kHz sinusoid masked either by two or by four surrounding tones. He reported four-tone masked thresholds that exceeded, by 5-7.5 dB, the energy sum of the masking produced by the individual tone pairs. The present paper reports on a series of experiments investigating the effects of several factors on this 5-7.5 dB "excess" masking. In each experiment, thresholds for a 1.0-kHz 250-ms sinusoid were measured as a function of the overall level of two or four equal amplitude sinusoids with frequencies arithmetically centered around 1.0 kHz. For conditions similar to those of the Canahl experiment, 5-6 dB of excess masking was obtained independent of the level of the masking tones. Randomly varying overall level across presentations had no effect on the excess masking. The excess masking was reduced or eliminated when the masking tones were generated using an amplitude modulation technique, when they were gated on and off with the signal, or when their waveshapes were fixed across trials. Canahl's result may reflect listeners' ability to detect the signal as a change in the waveshape of the multitone masker.
D001288:Attention; D001309:Auditory Threshold; D006801:Humans; D008144:Loudness Perception; D010470:Perceptual Masking; D010897:Pitch Discrimination