Perception of relative pitch with different references: some absolute-pitch listeners can't tell musical interval names.
Two experiments were conducted to examine the effect of absolute-pitch possession on relative-pitch processing. Listeners attempted to identify melodic intervals ranging from a semitone to an octave with different reference tones. Listeners with absolute pitch showed declined performance when the reference was out-of-tune C, out-of-tune E, or F#, relative to when the reference was C. In contrast, listeners who had no absolute pitch maintained relatively high performance in all reference conditions. These results suggest that absolute-pitch listeners are weak in relative-pitch processing and show a tendency to rely on absolute pitch in relative-pitch tasks.
Miyazaki
K
K
Department of Psychology, Faculty of Humanities, Niigata University, Japan.
D005260:Female; D006801:Humans; D008297:Male; D009146:Music; D010898:Pitch Perception