title: Modulation masking produced by beating modulators.
abstract: This study examined whether "modulation masking" could be produced by temporal similarity of the probe and masker envelopes, even when the masker envelope did not contain a spectral component close to the probe frequency. Both masker and probe amplitude modulation were applied to a single 4-kHz sinusoidal or narrow-band noise carrier with a level of 70 dB SPL. The threshold for detecting 5-Hz probe modulation was affected by the presence of a pair of masker modulators beating at a 5-Hz rate (40 and 45 Hz, 50 and 55 Hz, or 60 and 65 Hz). The threshold was dependent on the phase of the probe modulation relative to the beat cycle of the masker modulators; the threshold elevation was greatest (12-15 dB for the sinusoidal carrier and 9-11 dB for the noise carrier, expressed as 20 log m) when the peak amplitude of the probe modulation coincided with a peak in the beat cycle. The maximum threshold elevation of the 5-Hz probe produced by the beating masker modulators was 7-12 dB greater than that produced by the individual components of the masker modulators. The threshold elevation produced by the beating masker modulators was 2-10 dB greater for 5-Hz probe modulation than for 3- or 7-Hz probe modulation. These results cannot be explained in terms of the spectra of the envelopes of the stimuli, as the beating masker modulators did not produce a 5-Hz component in the spectra of the envelopes. The threshold for detecting 5-Hz probe modulation in the presence of 5-Hz masker modulation varied with the relative phase of the probe and masker modulation. The pattern of results was similar to that found with the beating two-component modulators, except that thresholds were highest when the masker and probe were 180 degrees out of phase. The results are consistent with the idea that nonlinearities within the auditory system introduce distortion in the internal representation of the envelopes of the stimuli. In the case of two-component beating modulators, a weak component is introduced at the beat rate, and it has an amplitude minimum when the beat cycle is at its maximum. The results could be fitted well using two models, one based on the concept of a sliding temporal integrator and one based on the concept of a modulation filter bank.
authors.affiliation: Department of Experimental Psychology, University of Cambridge, England.
authors.forename: B C
authors.initials: BC
authors.lastname: Moore
authors.forename: A
authors.initials: A
authors.lastname: Sek
authors.forename: B R
authors.initials: BR
authors.lastname: Glasberg
mesh_terms: D001307:Auditory Perception / Q000502:physiology*; D001309:Auditory Threshold / Q000502:physiology; D006801:Humans; D008297:Male; D008954:Models, Biological; D009622:Noise; D010470:Perceptual Masking; D013997:Time Factors