Flaubert and Madame Bovary: an intimate courtship.
The process by which Gustave Flaubert created the character of Emma Bovary is examined, as are various of the author's sources for the heroine and their transformation in the course of composing the novel. Certain aspects of the authors psychic makeup, including his bisexuality, are discussed in this light, as are Flaubert's early traumatic losses and their influence on his way of working. Finally, it is suggested that writing had multiple functions for the author and that the creation of Emma Bovary served as a partial solution to unmet needs.
Baudry
Francis
F
New York Psychoanalytic Institute, USA. Fdbaud@cs.com
D005197:Famous Persons; D005602:France; D049672:History, 19th Century; D006801:Humans; D007398:Interpersonal Relations; D008093:Literature, Modern / Q000266:history*; D008513:Medicine in Literature; D011573:Psychoanalytic Interpretation