Drag king magic: performing/becoming the other.
This chapter seeks to theorize drag king practice through the lenses of alterity, liminality, and performance theory, while attempting to complicate and reinvigorate discussions of identity raised by drag. I examine the ways in which drag king performance plumbs the concept of "the Other," and forces confrontation with a complex field of desire. Contemporary "queergirl" existence negotiates a range of desirable and desiring Others, from the polarities (i.e., butch-femme) unique to queer structures of desire, to the desire of those on the cultural margins for the power of those at the center, and vice versa. I employ anthropological theories of performance, mimesis, and liminality to establish a framework through which drag kings may be viewed as crucibles of this desire and agents of this power exchange. By performing maleness, drag kings expand and redraw the definitional boundaries of the male, interfere with the cultural power of mainstream maleness, and simultaneously transfer some of this power to themselves as queer women. At the same time, drag king existence forces a renegotiation of queergirl desire to encompass a range of masculinities. By performing/becoming the Other, drag kings engage in a practice of magic which transforms both margin and center.
Rosenfeld
Kathryn
K
Department of Liberal Studies, Roosevelt University, USA.
D001741:Black or African American / Q000523:psychology; D005260:Female; D005783:Gender Identity; D018452:Homosexuality, Female / Q000523:psychology*; D006801:Humans; D011209:Power, Psychological; D011582:Psychological Theory; D011998:Recreation; D012919:Social Behavior