Whose drag is it anyway? Drag kings and monarchy in the UK.
This chapter will show that the term "drag" in drag queen has a different meaning, history and value to the term "drag" in drag king. By exposing this basic, yet fundamental, difference this paper will expose the problems inherent in the assumption of parity between the two forms of drag. An exposition of how camp has been used to comprehend and theorise drag queens will facilitating an understanding of the parasitic interrelationship between camp and drag queen performances, while a critique of "Towards a Butch-Femme Aesthetic," by Sue Ellen Case, will point out the problematic assumptions made about camp when attributed to a cultural location different to the drag queen. By interrogating the historical, cultural and theoretical similarities and differences between drag kings, butches, drag queens and femmes this paper will expose the flawed assumption that camp can be attributed to all of the above without proviso, and hence expose why drag has a fundamentally different contextual meaning for kings and queens. This chapter will conclude by examining the work of both Judith Halberstam and Biddy Martin and the practical examples of drag king and queen performances provided at the UK drag contest held at The Fridge in Brixton, London on 23 June 1999.
Willox
Annabelle
A
Centre for Critical and Cultural Theory, University of Wales, Cardiff.
D003469:Culture; D005260:Female; D005783:Gender Identity; D018452:Homosexuality, Female / Q000523:psychology*; D006801:Humans; D011582:Psychological Theory; D011998:Recreation; D012919:Social Behavior; D006113:United Kingdom