Raman microspectrometric investigation of wall paintings in S. Giovanni Evangelista Abbey in Parma: a comparison between two artists of the 16th century.
Micro-Raman spectroscopy, combined with gas chromatography and ultra-violet fluorescence photography, was used to study some wall paintings in the S. Giovanni Evangelista Abbey in Parma, Italy. The restoration of some painted chapels enabled a comparison between two painters of the 16th century: Parmigianino (Girolamo Francesco Maria Mazzola, 1503-1540) and Michelangelo Anselmi (1492?-1556?). Micro-Raman spectroscopy determined the palette used by the artists, leading to the identification of different white, yellow, red, brown, green, blue and black pigments. Some pigments are evidence of later restorations. Gas chromatography combined with mass spectroscopy revealed the presence of organic binding media and enabled to distinguish between fresco and secco paintings.
Bersani
Danilo
D
Dipartimento di Fisica, Istituto Nazionale per la Fisica della Materia (INFM), Università di Parma, Parco Area delle Scienze 7/a, 43100 Parma, Italy. bersani@fis.unipr.it
Antonioli
Gianni
G
Lottici
Pier Paolo
PP
Casoli
Antonella
A
D002849:Chromatography, Gas; D005453:Fluorescence; D010150:Paint / Q000032:analysis*; D013059:Spectrum Analysis, Raman; D014466:Ultraviolet Rays