Ice can look like glass: a phenomenological investigation of movement meaning in one fifth-grade class during a creative dance unit.
The movement meanings of students (n = 19) in one fifth-grade class during a creative dance unit focusing on effort (force, time, space, flow) are investigated using a perspective grounded in transcendental phenomenology (Husserl, 1931). Data were collected via videotape, journal, and homework documents and semistructured interviews. Analytical induction (Patton, 2002) structured a four-step analysis process that reduced meaning to its essential essence. Movement meaning was found to be a multifaceted construct that varied among students within and across five dimensions. To enhance meaningful learning, educators are encouraged to consider reflexively (a) their philosophical orientation relative to knowledge making and curriculum values, (b) instructional techniques that help students' access meaning, and (c) the contribution of dance as a source of meaning.
Nilges
Lynda M
LM
Department of Physical Education at the University of South Carolina, Columbia, 29208, USA. lnilges@gwm.sc.edu
D002648:Child; D003405:Creativity; D003479:Curriculum; D003615:Dancing / Q000193:education* / Q000523:psychology*; D005260:Female; D007722:Health Knowledge, Attitudes, Practice; D006801:Humans; D008297:Male; D019365:Metaphor; D017145:Models, Educational; D009068:Movement; D010465:Perception; D010806:Physical Education and Training / Q000379:methods*; D036301:Qualitative Research; D013334:Students / Q000523:psychology*; D013647:Task Performance and Analysis