Representations of the cinaedus in Roman art: Evidence of "gay" subculture?
Whereas analysis of ancient Roman texts reveals signs of a possible homosexual subculture, their interpretation is difficult. This article analyzes the content and context of visual representations of male-male intercourse, including wall paintings at Pompeii, a silver cup, and an engraved agate gemstone. Whether presenting negative stereotypes (Tavern of Salvius, Pompeii; Suburban Baths, Pompeii), or positive ones (Warren Cup, British Museum; Leiden gemstone), these representations reveal the presence of well-developed social attitudes toward the practice ofmale-male sex and the practitioners themselves.
Clarke
John R
JR
Department of Art & Art History, University of Texas, Austin, 1 University Station D1300, 78712-0337, USA.
D000293:Adolescent; D001154:Art / Q000266:history*; D003469:Culture; D005260:Female; D049690:History, Ancient; D006716:Homosexuality / Q000266:history*; D018452:Homosexuality, Female / Q000266:history; D018451:Homosexuality, Male / Q000266:history; D006801:Humans; D008297:Male; D018644:Roman World / Q000266:history