Ripley's Game: projective identification, emotional engagement, and the counselling psychologist.
Counselling psychology's dual emphasis on the use of the self as both vehicle of therapeutic change and legitimate focus of inquiry and research is one of the features by which the profession may be distinguished from related fields such as clinical psychology or psychotherapy. This paper discusses the relevance of the psychoanalytic concept of projective identification in understanding the extent, nature and subtlety of the ways in which the therapist's 'self' and emotions may be deployed within the therapeutic relationship. Illustrated with reference to the film 'Ripley's Game' and a clinical case vignette, Searles's (1978) advocacy of 'a richness of emotional participation' within clinical work is discussed in relation to the pluralist philosophy of counselling psychology; implications for the training and personal development of counselling psychologists are also briefly explored.
Rizq
Rosemary
R
Ealing Primary Care Trust, London, UK. rosierizq@tiscali.co.uk
D000339:Affect; D003376:Counseling / Q000379:methods*; D006801:Humans; D008512:Medicine in the Arts; D009040:Motion Pictures; D011369:Professional-Patient Relations; D011385:Projection; D011613:Psychotherapy / Q000379:methods*; D012649:Self Concept