title: Repetition priming: Is music special?
abstract: Using short and long contexts, the present study investigated musical priming effects that are based on chord repetition and harmonic relatedness. A musical target (a chord) was preceded by either an identical prime or a different but harmonically related prime. In contrast to words, pictures, and environmental sounds, chord processing was not facilitated by repetition. Experiments 1 and 2 using single-chord primes showed either no significant difference between chord repetition and harmonic relatedness or facilitated processing for harmonically related targets. Experiment 3 using longer prime contexts showed that musical priming depended more on the musical function of the target in the preceding context than on target repetition. The effect of musical function was decreased, but not qualitatively changed, by chord repetition. The outcome of this study challenges predictions of sensory approaches and supports a cognitive approach of musical priming.
authors.affiliation: LEAD-CNRS, Université de Bourgogne, Dijon, France. bigand@u-bourgogne.fr
authors.forename: E
authors.initials: E
authors.lastname: Bigand
authors.forename: B
authors.initials: B
authors.lastname: Tillmann
authors.forename: B
authors.initials: B
authors.lastname: Poulin-Charronnat
authors.forename: D
authors.initials: D
authors.lastname: Manderlier
mesh_terms: D001245:Association Learning; D001307:Auditory Perception; D003463:Cues; D006801:Humans; D008570:Memory, Short-Term; D009146:Music; D010865:Pilot Projects; D010897:Pitch Discrimination; D011571:Psychoacoustics; D011930:Reaction Time; D013018:Sound Spectrography