title: The geometry of musical chords.
abstract: A musical chord can be represented as a point in a geometrical space called an orbifold. Line segments represent mappings from the notes of one chord to those of another. Composers in a wide range of styles have exploited the non-Euclidean geometry of these spaces, typically by using short line segments between structurally similar chords. Such line segments exist only when chords are nearly symmetrical under translation, reflection, or permutation. Paradigmatically consonant and dissonant chords possess different near-symmetries and suggest different musical uses.
authors.affiliation: Department of Music, Princeton University, Princeton, NJ 08544, USA. dmitri@princeton.edu
authors.forename: Dmitri
authors.initials: D
authors.lastname: Tymoczko
mesh_terms: D006801:Humans; D008433:Mathematics; D009146:Music; D010898:Pitch Perception