[Art history anthropology: a new interdisciplinary overlap using the examples of Caravaggio and Mozart].
The established identification of human faces on images may also be applied to paintings. This demands an extension of the known methodology: A check is performed if the depicted trait expressions may occur in nature at all or if they are an "artefact" of artistic freedom. Two cases are presented here, which illustrate an identification and an identity exclusion.
Rösing
Friedrich W
FW
Institut für Humangenetik und Anthropologie der Universität Ulm. erbbio@medizin.uni-ulm.de
D000883:Anthropology / Q000379:methods*; D000886:Anthropometry / Q000379:methods; D001154:Art / Q000266:history*; D001699:Biometry / Q000379:methods*; D005145:Face / Q000033:anatomy & histology*; D005197:Famous Persons; D049670:History, 17th Century; D049671:History, 18th Century; D049672:History, 19th Century; D006801:Humans; D007090:Image Interpretation, Computer-Assisted / Q000379:methods; D009146:Music / Q000266:history*; D011173:Portraits as Topic / Q000145:classification / Q000266:history*