Chemical composition of contemporary black printing inks based on infrared spectroscopy: basic information for the characterization and discrimination of artistic prints.
This article aims to provide the basic information necessary to afford the discrimination of artistic prints based on chemical information. The presence of original and non-original prints in the art market is a real problem, especially for contemporary artists. Most of the non-original elements can be distinguished on the basis of their stylistics and printing characteristics, but sometimes this information is not enough. To facilitate discrimination in these cases, we propose to add, to the previously indicated aspects, the chemical information of the materials involved in the production of the original series (inks, paper and pencil). Comparison of the composition of any element with that established for the original series will permit the attribution of any doubtful element. This article is focused on the evaluation of this approach by determining the chemical composition of contemporary black printing inks by infrared spectroscopy and by searching, on the basis of the information obtained, for criteria capable to discriminate between prints made of different inks. The success of the approach with this set of inks could easily be extended to the study of colour inks. The study also includes the characterization and discrimination of black pigments because they are the most characteristic component of these inks and because this information can also be useful for other artistic studies. The procedure proposed permits the analysis of inks with minimum deterioration of the artwork. Results indicate the capability of the approach because, following the procedure, it is possible to distinguish between black pigments attending to the presence of hydroxyapatite, silicate and some other specific bands, whereas black inks can be discriminated by paying attention to the inclusion in their composition of such pigments as bone black, Prussian blue, mars brown or other specific bands. Scanning electron microscopy analyses have corroborated the results obtained.
Vila
Anna
A
Department de Pintura, Conservació-Restauració, Facultat de Belles Arts, Universitat de Barcelona, C/Pau Gargallo 4, 08028 Barcelona, Spain. avila@sct.ub.es
Ferrer
Núria
N
García
Jose F
JF