Gaze as depicted in Vermeer's Girl with a Pearl Earring.
Ten observers viewed Vermeer's painting Girl With a Pearl Earring and estimated her direction of gaze when her eyes were exposed together and separately. The observers also viewed the painting when her eyes were digitally replaced by those of a real person. The authors found that Vermeer painted the girl's eyes with a precision that was near the limits of visual acuity. Also, Vermeer included 3 gaze illusions, none of which researchers have documented as known in Vermeer's time: (a) when a model whose head is turned to one side gazes at an observer, there is an illusion that she is looking to the side of the observer away from the direction of her head turn; (b) when a model's eyes are viewed separately, they appear to gaze outward relative to each other; and (c) when both of a model's eyes are viewed, the perceived direction of gaze follows that of the nearer eye.
West
Roger W
RW
College of Optometry, Northeastern State University, 1001 N. Grand Avenue, Tahlequah, Oklahoma, 74464 USA, westr@cherokee.nsuok.edu
Van Veen
Hank G
HG
D000328:Adult; D001288:Attention; D005133:Eye Movements; D005260:Female; D005403:Fixation, Ocular; D019416:Head Movements / Q000502:physiology; D006801:Humans; D007091:Image Processing, Computer-Assisted; D007600:Judgment; D009799:Ocular Physiological Phenomena; D009903:Optical Illusions; D010151:Paintings / Q000523:psychology*; D010781:Photography; D014792:Visual Acuity; D014796:Visual Perception