Dalí's homage to Rothko: a defense against fusion with the victim.
This paper explores the thematic content of a painting by Salvador Dalí in homage to artist Mark Rothko, completed after the latter's suicide. The manifest title of the work suggests respect for Rothko, but the latent intent of the painting, the author suggests, is more of a memoriam to Rothko in a complex identification with him. Among other psychological issues, the author elaborates on two factors that may have played a part in Dalí's artistic reaction to Rothko's suicide: the death of the artist's infant brother nine months before his own birth, and his lifelong struggle against fusion with the victim (Orgel 1974a, 1974b).
Department of Psychiatry, University of South Florida, USA. jjhart@umich.edu
John J
JJ
Hartman
D001154:Art / Q000266:history*; D019548:Crime Victims / Q000523:psychology*; D003674:Defense Mechanisms; D005197:Famous Persons; D049673:History, 20th Century; D006801:Humans; D007062:Identification, Psychological; D011573:Psychoanalytic Interpretation; D013030:Spain; D013405:Suicide / Q000523:psychology