Art and the theatre of mind and body: how contemporary arts practice is re-framing the anatomo-clinical theatre.
The correspondences and disparities between how artists and anatomists view the body have historically been a source of creative collaboration, but how is this imaginative interdisciplinarity sustained and expressed in a contemporary context? In this review I suggest that contemporary artists engaging with the body, and the corresponding biomedical and architectural spaces where the body is investigated, are engendering innovative and challenging artworks that stimulate new relationships between art and anatomy. Citing a number of examples from key artists and referencing some of my own practice-based research, I posit that creative cross-fertilization provokes a discourse between mediated public perceptions of disease, death and the disposal of morbid remains, and the contemporary reality of biomedical practice. This is a dialogue that is complex, rich and diverse, and ultimately rewarding for both art and anatomy.
Ingham
Karen
K
Dynevor Centre for Art, Design and Media, Swansea Metropolitan University, Swansea, UK. karen.ingham@smu.ac.uk
D000715:Anatomy / Q000193:education / Q000266:history*; D001154:Art / Q000266:history*; D004324:Drama / Q000266:history*; D005260:Female; D049668:History, 15th Century; D049669:History, 16th Century; D049670:History, 17th Century; D049671:History, 18th Century; D049672:History, 19th Century; D049673:History, 20th Century; D049674:History, 21st Century; D049691:History, Medieval; D006801:Humans; D008297:Male; D008606:Mental Processes; D009040:Motion Pictures; D013690:Television