Technepolitics: who has a stake in the making of an American identity?
Following the lineage of Taller Alacrán, the workshop of Puerto Rican maestro Antonio Martorell, the author explores the studio workshop model as an alternative or a supplement to public school arts education models. Arguing that the production of art is a means of making one's ideas or one's community visible and that the inability, whether through education or funds, to create art can silence a person or a community, she questions whether the government is the most appropriate steward of urban public school students' arts education, given its track record of silencing artists with the reduction and removal of funds. The article offers recommendations to education professionals based on the Taller Alacrán studio system.
Green
Christina Suszynski
CS
Department of English, College of New Rochelle's School for New Resources.
D001741:Black or African American; D001154:Art; D004493:Education; D006630:Hispanic or Latino; D006801:Humans; D009144:Museums; D011057:Politics; D014481:United States; D014505:Urban Population