Creative thought as blind-variation and selective-retention: combinatorial models of exceptional creativity.
Campbell (1960) proposed that creative thought should be conceived as a blind-variation and selective-retention process (BVSR). This article reviews the developments that have taken place in the half century that has elapsed since his proposal, with special focus on the use of combinatorial models as formal representations of the general theory. After defining the key concepts of blind variants, creative thought, and disciplinary context, the combinatorial models are specified in terms of individual domain samples, variable field size, ideational combination, and disciplinary communication. Empirical implications are then derived with respect to individual, domain, and field systems. These abstract combinatorial models are next provided substantive reinforcement with respect to findings concerning the cognitive processes, personality traits, developmental factors, and social contexts that contribute to creativity. The review concludes with some suggestions regarding future efforts to explicate creativity according to BVSR theory.
Simonton
Dean Keith
DK
Department of Psychology, University of California, Davis, CA 95616, USA. dksimonton@ucdavis.edu
D000818:Animals; D001921:Brain / Q000502:physiology*; D003071:Cognition / Q000502:physiology*; D003405:Creativity; D006801:Humans; D008568:Memory / Q000502:physiology*; D008959:Models, Neurological; D013850:Thinking / Q000502:physiology*