Straight eye for the gay guy: composing queerness.
Drawing on the work of Didier Eribon and his theorization of the construction of gay male subjectivity, this article examines different "texts," broadly defined, that grapple specifically with straight men attempting to represent male homosexuality: Norman Mailer's essay, "The Homosexual Villain"; the Bravo reality television series Boy Meets Boy, and Michael Griffith's short story, "Hooper Gets a Perm." These texts represent attempts by straight authors to grapple with queer experience in ways that move the imagination of queers beyond simple stereotypes or uncritical explorations of the sexual "other." In the process of examining these texts, the following questions are addressed: What happens when a straight man attempts to represent a gay man? Does he "get it right," and is such a question even useful? More specifically, what is the value in having straights imagine queerness? Is such an imagining possible? Is such desirable? And, if so, what are the contours of such an imagining-as well as its possibilities and limitations, pedagogically, personally, and politically? Ultimately, I contend that the straight imagining of queerness offers rich potential for mutual understanding; furthermore, attempting to understand what goes into the making of those representations tells us much about how queerness circulates in our culture as a subject, a figure of discussion, contention, and representation.
Alexander
Jonathan
J
Department of English, University of California, Irvine, 435 HIB, Irvine, CA 95697, USA. jfalexan@uci.edu
D001319:Authorship; D020010:Heterosexuality / Q000523:psychology*; D018451:Homosexuality, Male / Q000523:psychology; D006801:Humans; D007092:Imagination; D008093:Literature, Modern; D008297:Male; D008606:Mental Processes; D013240:Stereotyping; D013690:Television; D014956:Writing