title: A million dollar exit from the anarchic slum-world: Slumdog Millionaire's hollow idioms of social justice.
abstract: This article contests the characterisation of the popular and acclaimed film, Slumdog Millionaire, as a realistic portrayal of India's urban poverty that will ultimately serve as a tool of advocacy for India's urban poor. It argues that the film's reductive view of slum-spaces will more probably reinforce negative attitudes towards slum-dwellers, lending credibility to the sorts of policies that have historically dispossessed them of power and dignity. By drawing attention to the film's celebration of characters and spaces that symbolise Western culture and Northern trajectories of 'development', the article also critically engages with some of the issues raised by the film's enormous success.
authors.affiliation: Department of Politics and Public Administration, Ryerson University, Toronto, Ontario, Canada.
authors.forename: Mitu
authors.initials: M
authors.lastname: Sengupta
mesh_terms: D003466:Cultural Characteristics; D049673:History, 20th Century; D049674:History, 21st Century; D007194:India / Q000208:ethnology; D009040:Motion Pictures / Q000266:history; D011203:Poverty / Q000191:economics / Q000208:ethnology / Q000266:history / Q000331:legislation & jurisprudence / Q000523:psychology; D011209:Power, Psychological; D012923:Social Class / Q000266:history; D012935:Social Justice / Q000191:economics / Q000193:education / Q000266:history / Q000331:legislation & jurisprudence / Q000523:psychology; D012944:Social Support; D012945:Social Values / Q000208:ethnology; D013561:Symbolism; D014504:Urban Health / Q000266:history; D014505:Urban Population / Q000266:history