title: Good vibrations: "sirens," soundscapes, and physiology.
abstract: This article establishes Joyce's ongoing interest in psychoacoustics and illustrates how much he drew, in the writing of the "Sirens" episode, on nineteenth-century sound experiments that were developed by the German physician Hermann von Helmholtz. It argues that Joyce consciously referenced nineteenth-century sound theories to explore the link between the emotional and sensory experience of music and the physical and physiological components of sound perception.
authors.forename: Vike Martina
authors.initials: VM
authors.lastname: Plock
mesh_terms: D004644:Emotions; D049672:History, 19th Century; D049673:History, 20th Century; D007494:Ireland / Q000208:ethnology; D009146:Music / Q000266:history / Q000523:psychology; D010827:Physiology / Q000193:education / Q000266:history; D011571:Psychoacoustics; D012108:Research Personnel / Q000193:education / Q000266:history / Q000523:psychology; D026421:Sensory Art Therapies / Q000193:education / Q000266:history / Q000523:psychology; D013016:Sound; D014732:Vibration