title: The story about theater organizations, the public's approval, and the actors' identity formation in Nordic disability theater.
abstract: Nordic disability theater is a relatively new and interesting field of disability research. In this article, the authors provide an overview of the field of disability theater in a Nordic context. The article is based on a comparative analysis from 3 research projects conducted in Sweden and Norway. The projects used qualitative methods and were analyzed from different theoretical perspectives. Interviews were conducted at 4 different disability theaters involving actors with hearing impairments, intellectual disabilities, physical disabilities, and mental disabilities. The aim of this article is to illustrate how the organizational settings reflect different goals and aims at the political and artistic levels. The authors will also address the relationship between the theaters and the public opinion and media. Finally, they will illustrate in what way organization, recognition, and public approval play an important role for the actors' identity formation and sense of belonging.
authors.affiliation: Department of Health and Social Sciences, Harstad University, Harstad, Norway.
authors.forename: Rikke Gürgens
authors.initials: RG
authors.lastname: Gjærum
authors.forename: Jens
authors.initials: J
authors.lastname: Ineland
authors.forename: Lennart
authors.initials: L
authors.lastname: Sauer
mesh_terms: D000328:Adult; D001321:Autistic Disorder / Q000534:rehabilitation*; D002648:Child; D003431:Cross-Cultural Comparison; D006233:Persons with Disabilities / Q000534:rehabilitation*; D004324:Drama; D006801:Humans; D008607:Intellectual Disability / Q000534:rehabilitation*; D008402:Mass Media; D017146:Models, Organizational; D009664:Norway; D011639:Public Opinion; D012933:Social Identification; D012947:Social Work / Q000458:organization & administration*; D013548:Sweden