title: Vibroacoustic characteristics of a gothic harp.
abstract: The "gothic" style of harp was popular across most of Europe from the late medieval period to the Renaissance. These harps have a one-piece, longitudinally oriented hardwood soundboard, as opposed to the transverse-oriented bonded softwood structure on a modern instrument. In addition, the one-piece back is flexible, whereas the back of a modern instrument is a rigid molded shell. To study the gothic harp, one was constructed from plans created by the Boston Museum of Fine Arts from a late German model in their collection. The vibrational behaviors of the soundboard and soundbox were measured at various stages of construction. The completed instrument was subjected to modal analysis and radiativity measurements. The sound radiation is dominated by two breathing modes at 188 and 273 Hz, each with strong motion of the back, and modes around 350 Hz. Taken together, these modes function like the A0/T1 resonance pairs seen in the soundboxes of other instruments, and a comparison is made with the guitar. Also observed is that as the frequency increases, radiation is emitted from higher up the soundboard, and from higher soundholes. This feature has been observed in other harps, and is a consequence of the harp family's unique geometry.
authors.affiliation: Department of Physics and Astronomy, University of British Columbia, Vancouver, British Columbia V6T 1Z1, Canada. cew@phas.ubc.ca
authors.forename: Shira
authors.initials: S
authors.lastname: Daltrop
authors.forename: Andrzej
authors.initials: A
authors.lastname: Kotlicki
authors.forename: Chris
authors.initials: C
authors.lastname: Waltham
authors.forename: Nathan
authors.initials: N
authors.lastname: Wolfe
authors.forename: Benjamin
authors.initials: B
authors.lastname: Elie
authors.forename: François
authors.initials: F
authors.lastname: Gautier