Loudness perception of low tones undergoing partial masking by higher tones in orchestral music in concert halls.
Objective acoustical parameters for halls are often measured in 1-octave bands with mid-frequencies from 125 to 4000 Hz. In reality, the frequency range of musical instruments is much wider than that, and the fundamentals of the lower notes of bass instruments are contained in 31.5 or 63 Hz bands. Overtones of fundamentals in these bands fall in 125 Hz band. This report presents subjective experiments designed to determine to what extent the overtones in 125 Hz band and higher bands influence the loudness sensation of the components in 63 Hz band. In the experiments, the 125 Hz and higher components of the musical tone are used to act as a masker against the lower component used as a maskee. The threshold of the difference between G(125 Hz) and G(lower band) that just enables one to hear the fundamental tones in the lower band is determined. Masked loudness of 63 Hz sinusoidal tone caused by partial masking noise with higher frequencies was determined based on a similar procedure to the masked loudness-matching function. The result indicates that the difference in loudness of low tone will not be noticeable even if G changed by ±2.5 to ±3 dB, at least when there are other accompanying instruments.
Takenaka R&D Institute, 1-5-1, Otsuka, Inzai, Chiba 270-1395, Japan.
Noriko
N
Nishihara
Takayuki
T
Hidaka
D000162:Acoustics; D005160:Facility Design and Construction; D006801:Humans; D008144:Loudness Perception; D009038:Motion; D009146:Music; D010470:Perceptual Masking; D010898:Pitch Perception; D011312:Pressure; D013016:Sound; D013018:Sound Spectrography; D013997:Time Factors