title: Forensic fictions: science, television production, and modern storytelling.
abstract: This essay uses interviews with television creators, writers, and producers to examine how media practitioners utilise, negotiate and transform forensic science in the production of televisual stories including the creation of unique visuals, character exploration, narrative progression, plot complication, thematic development, and adding a sense of authenticity. Television as a medium has its own structures and conventions, including adherence to a show's franchise, which put constraints on how stories are told. I demonstrate how television writers find forensic science to be an ideal tool in navigating television's narrative constraints by using forensics to create conflicts, new obstacles, potential solutions, and final solutions in their stories. I show how television writers utilise forensic science to provide the scientific certainty their characters require to catch the criminal, but also how uncertainty is introduced in a story through the interpretation of the forensics by the show's characters. I also argue that televisual storytellers maintain a flexible notion of scientific realism based on the notion of possibility that puts them at odds with scientists who take a more demanding conception of scientific accuracy based on the concept of probability.
authors.affiliation: Centre for the History of Science, Technology, and Medicine, University of Manchester, Manchester, UK. david.kirby@manchester.ac.uk
authors.forename: David A
authors.initials: DA
authors.lastname: Kirby
mesh_terms: D003142:Communication; D003415:Crime / Q000331:legislation & jurisprudence; D003416:Criminal Law; D057237:Criminals; D004324:Drama; D044707:Forensic Sciences / Q000331:legislation & jurisprudence; D006801:Humans; D007407:Interviews as Topic; D033262:Narration; D012586:Science; D013690:Television; D035501:Uncertainty