title: Analog-to-digital conversion to accommodate the dynamics of live music in hearing instruments.
abstract: Hearing instrument design focuses on the amplification of speech to reduce the negative effects of hearing loss. Many amateur and professional musicians, along with music enthusiasts, also require their hearing instruments to perform well when listening to the frequent, high amplitude peaks of live music. One limitation, in most current digital hearing instruments with 16-bit analog-to-digital (A/D) converters, is that the compressor before the A/D conversion is limited to 95 dB (SPL) or less at the input. This is more than adequate for the dynamic range of speech; however, this does not accommodate the amplitude peaks present in live music. The hearing instrument input compression system can be adjusted to accommodate for the amplitudes present in music that would otherwise be compressed before the A/D converter in the hearing instrument. The methodology behind this technological approach will be presented along with measurements to demonstrate its effectiveness.
authors.affiliation: Bernafon AG, Berne, Switzerland. nh@bernafon.ch
authors.forename: Neil S
authors.initials: NS
authors.lastname: Hockley
authors.forename: Frauke
authors.initials: F
authors.lastname: Bahlmann
authors.forename: Bernadette
authors.initials: B
authors.lastname: Fulton
mesh_terms: D000161:Acoustic Stimulation; D000703:Analog-Digital Conversion; D001307:Auditory Perception; D001309:Auditory Threshold; D012048:Correction of Hearing Impairment / Q000523:psychology*; D004867:Equipment Design; D006310:Hearing Aids; D006801:Humans; D008144:Loudness Perception; D009146:Music; D019986:Persons with Hearing Disabilities / Q000523:psychology / Q000534:rehabilitation*; D012815:Signal Processing, Computer-Assisted; D013018:Sound Spectrography; D013061:Speech Acoustics; D013067:Speech Perception; D013997:Time Factors