title: Experimental investigation of the piano hammer-string interaction.
abstract: Experimental techniques for investigating the piano hammer-string interaction are described. It is argued that the accuracy, consistency, and scope of conclusions of previous studies can be compromised by limitations of the conventional methods relating to key inputs; physical distortion; numerical distortion, particularly when differentiation or integration of measured signals is used to derive primary response variables; contact identification; and synchronization issues. These problems are discussed, and experimental methods that have been devised to avoid them are described and illustrated by detailed results from a study of the hammer-string interaction in a vertical piano. High resolution displacements are obtained directly by non-contact high-speed imaging and quantitative motion tracking. The attention focused on achieving very accurate and consistent temporal and spatial alignment, including the objective procedure used for contact identification, allows meaningful comparisons of responses from separate tests. String motion at the strike point and on each side of it, as well as hammer motion, is obtained for eight dynamic levels from 1.06 to 2.98 m/s impact velocity. Detailed observations of the force-compression behavior of the hammer interacting with real strings are presented. The direct effects of hammer shank deflection and agraffe string pulses on the interaction are also highlighted.
authors.affiliation: Department of Systems Design Engineering, University of Waterloo, Waterloo, Ontario N2L 3G1, Canada. sbirkett@uwaterloo.ca
authors.forename: Stephen
authors.initials: S
authors.lastname: Birkett
mesh_terms: D000162:Acoustics; D004867:Equipment Design; D009038:Motion; D009146:Music; D017711:Nonlinear Dynamics; D011312:Pressure; D013016:Sound; D013997:Time Factors; D014741:Video Recording