title: "Walking and watching" in queer London: Sarah Waters' Tipping The Velvet and The Night Watch.
abstract: This article argues that Sarah Waters' representation of London in her historical fictions Tipping the Velvet and The Night Watch is used to delineate the gendered bodies and sexual identities of her characters. A historical summary demonstrates that female masculinity was slowly mapped onto sexual identity between the 1880s and 1940s in Britain. The article argues that Waters' "inventive" use of this history allows her to question the construction of both historical and contemporary identifications. The way that Waters' characters are constricted and liberated by London's urban landscape demonstrates the spatial and temporal contingency of both gender and sexuality.
authors.affiliation: School of Media Film and Music, University of Sussex, Falmer, East Sussex, UK. R.Wood@sussex.ac.uk
authors.forename: Rachel
authors.initials: R
authors.lastname: Wood
mesh_terms: D005260:Female; D018452:Homosexuality, Female; D006801:Humans; D008093:Literature, Modern; D008131:London; D012725:Sexual Behavior; D014930:Women