Synchronized tapping facilitates learning sound sequences as indexed by the P300.
The purpose of the present study was to determine whether and how single finger tapping in synchrony with sound sequences contributed to the auditory processing of them. The participants learned two unfamiliar sound sequences via different methods. In the tapping condition, they learned an auditory sequence while they tapped in synchrony with each sound onset. In the no tapping condition, they learned another sequence while they kept pressing a key until the sequence ended. After these learning sessions, we presented the two melodies again and recorded event-related potentials (ERPs). During the ERP recordings, 10% of the tones within each melody deviated from the original tones. An analysis of the grand average ERPs showed that deviant stimuli elicited a significant P300 in the tapping but not in the no-tapping condition. In addition, the significance of the P300 effect in the tapping condition increased as the participants showed highly synchronized tapping behavior during the learning sessions. These results indicated that single finger tapping promoted the conscious detection and evaluation of deviants within the learned sequences. The effect was related to individuals' musical ability to coordinate their finger movements along with external auditory events.
Department of Life Sciences, Graduate School of Arts and Sciences, The University of Tokyo Tokyo, Japan ; Emotional Information Joint Research Laboratory, RIKEN Brain Sceince Institute Saitama, Japan.
Keiko S
KS
Kamiyama
Department of Life Sciences, Graduate School of Arts and Sciences, The University of Tokyo Tokyo, Japan ; Emotional Information Joint Research Laboratory, RIKEN Brain Sceince Institute Saitama, Japan ; Okanoya Emotional Information Project, ERATO, Japan Science and Technology Agency Saitama, Japan.
Kazuo
K
Okanoya
P300; auditory-motor network; event-related potentials; mismatch negativity; musicians; synchronized tapping