title: Specificity of foot configuration during bipedal stance in ballet dancers.
abstract: Learning highly specialized upright postures may be of benefit for more common as well as for novel stances. In this study, we asked whether this generalization occurs with foot configurations previously trained or depends on a generic increase in balance difficulty. We also explored the possibility that the benefit may concern not only the level of postural performance but also the structural organization of the upright standing.
  
  
  
  Ten elite professional ballet dancers were compared to ten untrained subjects, measuring the motion of the center of pressure (COP) across a set of five stances with different foot configurations. The balance stability was measured computing the area, the sway path, and the root mean square of the COP motion, whereas the structure of the postural control was assessed by compute approximate entropy, fractal dimension and the mean power frequency. The foot position included common and challenging stances, with the level of difficulty changed across the configurations. Among these conditions, only one foot configuration was familiar to the dancers.
  
  
  
  Statistically significant differences between the two groups, for all the parameters, were observed only for the stance with the foot position familiar to the dancers. Stability and structural parameters exhibited comparable differences.
  
  
  
  We concluded that the benefit from classical ballet is limited to a specific foot configuration, regardless of the level of stance difficulty or the component of postural control.
authors.affiliation: Department of Biomedical and Biotechnological Sciences, University of Catania, Catania, Italy; Gait and Posture Analysis Laboratory, University of Catania, Catania, Italy; Physical Medicine and Rehabilitation Residency Program, University of Catania, Catania, Italy. Electronic address: casabona@unict.it.
authors.forename: Antonino
authors.initials: A
authors.lastname: Casabona
authors.affiliation: Department of Biomedical and Biotechnological Sciences, University of Catania, Catania, Italy.
authors.forename: Giuseppa
authors.initials: G
authors.lastname: Leonardi
authors.affiliation: Department of Biomedical and Biotechnological Sciences, University of Catania, Catania, Italy.
authors.forename: Ettore
authors.initials: E
authors.lastname: Aimola
authors.affiliation: Department of Biomedical and Biotechnological Sciences, University of Catania, Catania, Italy.
authors.forename: Giovanni
authors.initials: G
authors.lastname: La Grua
authors.affiliation: Department of Biomedical and Biotechnological Sciences, University of Catania, Catania, Italy.
authors.forename: Cristina Maria
authors.initials: CM
authors.lastname: Polizzi
authors.affiliation: Department of Biomedical and Biotechnological Sciences, University of Catania, Catania, Italy; Gait and Posture Analysis Laboratory, University of Catania, Catania, Italy; Physical Medicine and Rehabilitation Residency Program, University of Catania, Catania, Italy.
authors.forename: Matteo
authors.initials: M
authors.lastname: Cioni
authors.affiliation: Department of Biomedical and Biotechnological Sciences, University of Catania, Catania, Italy; Gait and Posture Analysis Laboratory, University of Catania, Catania, Italy.
authors.forename: Maria Stella
authors.initials: MS
authors.lastname: Valle
mesh_terms: D000328:Adult; D001696:Biomechanical Phenomena; D003615:Dancing; D005260:Female; D006801:Humans; D000072458:Orientation, Spatial; D004856:Postural Balance; D011187:Posture; D014163:Transfer, Psychology; D016474:Weight-Bearing; D055815:Young Adult
keywords: Classical ballet; Dynamic structure; Foot position; Postural control; Transfer