title: The Artificial World of Plastination: A Challenge to Religious Perspectives on the Dead Human Body.
abstract: The public exhibitions of plastinated (preserved) and dissected human cadavers have proved exceedingly popular and also very contentious. However, there has been little in the way of sustained analysis of these exhibitions from a Christian angle. The technique of plastination enables whole bodies to be displayed as though standing and playing a variety of sports, and with 'life-like' facial expressions. In analyzing this phenomenon, the plastination procedure is outlined, and the degree of naturalness of the whole body plastinates assessed. In searching for theological directives the debate over burial and cremation is used as a means of exploring the respect we give the dead body, and the significance of the resurrection of the body for our views of the dead body. In particular, attention is paid to devaluation of the dead body in situations ranging from dissection of the body through to commercial public exhibitions. The centrality of notions of altruism and 'gift' is discussed. It is concluded that there are many disquieting features to these exhibitions, necessitating caution in approaching them. Nevertheless, in reminding visitors of their mortality and the wonders of the human body, they are not to be dismissed entirely.
authors.affiliation: a Department of Anatomy , University of Otago , Dunedin , New Zealand.
authors.forename: David Gareth
authors.initials: DG
authors.lastname: Jones
mesh_terms: D002102:Cadaver; D004210:Dissection; D018594:Human Body; D006801:Humans; D016613:Plastic Embedding; D011309:Preservation, Biological
keywords: body worlds; cremation; plastination; public displays; resurrection of the body; the dead human body