title: Similar representations of emotions across faces and voices.
abstract: [Correction Notice: An Erratum for this article was reported in Vol 17(6) ofEmotion(see record 2017-18585-001). In the article, the copyright attribution was incorrectly listed and the Creative Commons CC-BY license disclaimer was incorrectly omitted from the author note. The correct copyright is "© 2017 The Author(s)" and the omitted disclaimer is below. All versions of this article have been corrected. "This article has been published under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/3.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Copyright for this article is retained by the author(s). Author(s) grant(s) the American Psychological Association the exclusive right to publish the article and identify itself as the original publisher."] Emotions are a vital component of social communication, carried across a range of modalities and via different perceptual signals such as specific muscle contractions in the face and in the upper respiratory system. Previous studies have found that emotion recognition impairments after brain damage depend on the modality of presentation: recognition from faces may be impaired whereas recognition from voices remains preserved, and vice versa. On the other hand, there is also evidence for shared neural activation during emotion processing in both modalities. In a behavioral study, we investigated whether there are shared representations in the recognition of emotions from faces and voices. We used a within-subjects design in which participants rated the intensity of facial expressions and nonverbal vocalizations for each of the 6 basic emotion labels. For each participant and each modality, we then computed a representation matrix with the intensity ratings of each emotion. These matrices allowed us to examine the patterns of confusions between emotions and to characterize the representations of emotions within each modality. We then compared the representations across modalities by computing the correlations of the representation matrices across faces and voices. We found highly correlated matrices across modalities, which suggest similar representations of emotions across faces and voices. We also showed that these results could not be explained by commonalities between low-level visual and acoustic properties of the stimuli. We thus propose that there are similar or shared coding mechanisms for emotions which may act independently of modality, despite their distinct perceptual inputs. (PsycINFO Database Record (c) 2017 APA, all rights reserved).
authors.affiliation: Experimental Neuropsychology Unit, Department of Psychology, Saarland University.
authors.forename: Lisa Katharina
authors.initials: LK
authors.lastname: Kuhn
authors.affiliation: Department of Life Sciences, Brunel University London.
authors.forename: Taeko
authors.initials: T
authors.lastname: Wydell
authors.affiliation: Department of Psychology, Royal Holloway, University of London.
authors.forename: Nadine
authors.initials: N
authors.lastname: Lavan
authors.affiliation: Department of Psychology, Royal Holloway, University of London.
authors.forename: Carolyn
authors.initials: C
authors.lastname: McGettigan
authors.affiliation: Department of Life Sciences, Brunel University London.
authors.forename: Lúcia
authors.identifier: 0000-0002-1955-6506
authors.initials: L
authors.lastname: Garrido
mesh_terms: D000161:Acoustic Stimulation; D000293:Adolescent; D000328:Adult; D032882:Comprehension / Q000502:physiology*; D004644:Emotions; D005145:Face; D005149:Facial Expression; D005260:Female; D006801:Humans; D008297:Male; D008875:Middle Aged; D010775:Photic Stimulation; D014831:Voice; D055815:Young Adult